Lo dice el medio, el lenguaje. Pero
no solo el lenguaje. Menos
lenguaje del medio: este
jueves 13, a las 18.30 hrs.
el fundador del grupo de los
LANGUAGE poets, Charles
Bernstein, realizará la conferencia
“El campo expandido del
L=A=N=G=U=A=J=E” [sic]. Previa
a cargo del traductor Enrique
Winter. (Azar de fronteras des-
tinaciones suscribe, subraya, inter-
viene mismo día, misma hora, bailando
Waylla Wisa en ferias libres de Arica).
El campo expandido del L=A=N=G=U=A=J=E
traduce como intraduce (ex-
pande) The Expanded Field of L=A=N=G=U=A=G=E,
arqueo donde Bernstein se las ha
con el ¿inesquivable? fantasma
de la deconstrucción in itself – fuera
lo que fuera. L=A=N=G=U=A=G=E,
parche antes de la herida, previendo
a la susodicha, deniega a ratos y estratos, en-
simisma. À la lettre: L=A=N=G=U=A=G=E
not deconstruction as
and end in itself [¿…?] but
reconstruction, emplacement, ex-
p-a-n-s-i-o-n & Ach die Kunst. Sino
e indicio, dicha, cómo (como) no, de Erín
Moure, de lo inmemncioable (G. O’Brien):
yseopoenen, demasiado otodo o nuda
sconstrucció de mucho mayor
que formasespecifi9s de la instalacde — à suivre
Cuanto a Waylla Wisa, piedradiente lengua
mengua en Arica: imaynatataq watusun-
chik ¿cómo vamos a traslucir)(kay watuy
lo imposible (mana atinata) de traslucir?
[ Arica, 10.11]
That’s a good idea I’d say and you’d reply
of course it is, it was mine
and we’d laugh and I’d nestle further
into your abode and forget I hated cigarette smoke
and the steely grey of ash that seemed to grow
all over you towards the end like some kind of mould
You were a fixed point that anchored my sail
made it firm against the gusts when needs must
and now you’re dead
chards of you mirror-flash into my mind
as if it’s all a practical joke and you’re not dead at all
I see your face, and hear your voice
admonishing any hint of sentimentality.
We’d drink tea from Russian china perfectly brewed
and share, putting it all out there, laying bare
and making sense where sense was needed
to bear existence.
Nouveau riche, I’d cycle on my way, or walk
It never seemed right then to travel except under my own steam.
He is dead then, Cicero receive
the last testament of action
for you and the believers to give warrant,
leave the horses to stand in dreaming sleep
no carriage is wanted.
All receive the burning remembrance
touch the jet stream –
behind doors for each in mourning
lingers some small joy
at the sight of that sheening arrow,
straight the unbroken truth.
In each hand lay a little dust now,
house to house in lament
carry this with you good citizen
wreathe the specks in family doings,
let children see what purpose floats
in the sunlight directing.
Place the remains in brick and mortar
so the shadow in the works of all
will always catch a glance
of one who once walked so tall
But is it so simple, when one is dreaming,
to say where the realm of the animate ends?
Gaston Bachelard, The Poetics of Reverie
Not a crazy impulse, a deeper kind perhaps: he steers
left instead of right, takes a fire trail that climbs steeply,
leaves it to chance whether he’ll find the un-signposted site
the other side of Finchley Trig.
The air is still and mineral sharp. A cloudless day.
Dry ridges, red gums. Away to the west Mt Yengo.
If he holds his head just so — worn markings in the sandstone platform at his feet
are bodies, rock divinities
whose dwelling spans earth and sky. Look up, wide, unblinking eyes
see all the days and nights wheel across this point.
Others come here too. Some add scratchy efforts to the weathered forms they find;
like the bulldozer left tracks
all over the face of this rock shelf. He draws breath,
feels for the length of the place. Sandstone, coarse beneath his hand, leaves deep impressions, unfathomed constellations
fade slowly from his palm. It’s not defeat but he no longer resides in his head, is guided by something like a smile.
And all the way to the Colo
alive in its gorge, ridgelines reverberate and the ground
gives with each step. The run and break of a boy,
who spent every spare moment clambering over red gums and rocks.
Struck down by tiny orchids, immaculate-white they nod their heads on slender stems,
sing out to the sclerophyll litter.
A boy made without his knowing to carry a place, to imbibe spare arrangements, particular angles
and as if already known,
the weight and colour of weathered stone, broken canopy, the scent and crackle.
His hand rests on a flesh-pink angophora. A smooth trunk, torqued limbs
reach out, streaked blood-red
with sap; old wounds still ooze. There’s warmth at the middle of him.
It ranges like oxygen, seeks the crown of his head, tips
of fingers and toes; then back into the pores of the rock.
The wound is a heel print
in the infant’s chest
The photo triggers a skirmish
No No -
No No -
Yes Yes -
I am from this country
Yes Yes -
Tell the world
Shoot the bloodletting
Fire the images across the cosmos
The war on small bodies still wages
From a media image and caption posted on social media
Alludes to the poem Small Bodies published in Red Bird by Mary Oliver (Bloodaxe Books 2008)